PARTIR A MEIO DIA - PARTAGE DE MIDI

Partage de Midi · (1906)

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Is it possible to leave at noon, mid-life? Claudel seems to respond that the remaining half, after sharing, is short and vertiginous as a skid. This is a very beautiful text of love. Because in the reduced and torn time of the drama the actors are called to live something more intense and overwhelming than the life itself. But what is the use of life and its avatars if it does not stop as a flame to reduce us to gray? Here all second intentions are first and foremost. Where the abrupt variation of the forms of treatment and the forms tout court.

 

Regina Guimarães